a Curriculum Vitae(CV):

YUTING CAI is an artist-curator in both China and UK; He is not only focus on organizing some interesting and critical exhibitions but also creating some artwork about identity、power and politics.

On the other hand, YUTING CAI has already been considering a brilliant critical writer in China. He has published nine academic articles in the different famous Chinese magazines in the recent two years.

Now, he is studying in the printing department of Royal College of Art London (Master degree, 2016-2018)and finished curatorial course in curators school in Venice, Italy(2017).

From 2012 to 2016, he studied painting in Nanjing University of arts (BA degree) and studied in fine art department in Birmingham City university in 2016(exchange program).

Recent published academic articles (2015-2017):

(1). Documenta 14 in Athens: Innocence is a mistake, do you understand?(Art China 2017. 5)
(2). Future of contemporary art: ending and remodeling of social criticism. (Scope 021 12/1)
(3). London: performance art in internet era.   (ArtChina 2017.2)
(4). For example: ANISH KAPOOR.  (Art China 2017. 5)
(5). Re-definition of the contemporary art in the end of 20th century. (Artworm 2017)
(6). Post- 90th and my choice. (Artscape 2016 5/6)
(7). We have to criticize: Hypocritical discussions of western and eastern culture. (Artscape 2016 1/2)
(8). The supposition: painting is changing at this moment, right? (ArtChina 2016.3/4)
(9). From education: the emotion of painting
(Artscape 2015.11/12)

Recent joined exhibitions (2017):
(1). Attitude, (Chun Art Museum, Shanghai, 2017)
(2). Freshly Squeezed, (CGP Gallery, London, 2017).
(3). The Moon in the Mirror, (Aintree Hospital, Liverpool, 2017)
(4). Politickle action, (Studio RCA, London, 2017)

个人简历:
 
北屿原名蔡屿汀,出生于1993年,是一位艺术家型策展人.
他热衷于批评性写作,已经在中国多家杂志媒体发表文章,并引起讨论.
现就读于英国皇家艺术学院版画系硕士(2016-2018)
并于威尼斯策展人学校完成策展课程的学习与实践(2017).
本科毕业于南京艺术学院油画系(2012-2016)
并交换学习于伯明翰艺术学院纯艺术系(2015-2016).

近期主要艺术评论发表(
2015-2017):

(1)《天真是一种错误,你可否理解?——第十四届卡塞尔文献展(雅典)》
      (艺术当代2017年第五期)
(2)《以“安尼施·卡普尔”为例——身份的选择》
       (艺术当代2017年第五期)
(3)《伦敦——互联网时代下的行为艺术》
        (艺术当代2017年2月刊)
(4)《当代艺术的未来:社会批判的终结与重塑》
        (艺术客 021期 12/1月刊)
(5)《关于90后和我的抉择》
        (艺术汇2016 5/6 月刊)
(6)《二十世纪末期当代艺术的再定义》
        ( 艺术虫2017年4月刊)
(7)《伪文人情怀——东西方虚伪式辩论》
       (艺术汇2016 1/2 月刊)
(8)《“介入”后的绘画生态——绘画的“当下”情绪》
       (艺术当代 2016.3/4 月刊)
(9)《伤痕的转变,绘画的“反大师”回归》
        (艺术汇 2015.11/12 月刊)

近期参与群展(2017):

(1). Politickle action, (Studio RCA艺术空间, 伦敦, 2017)
(2). The Moon in the Mirror,
      (Aintree Hospital艺术空间, 利物浦, 2017)
(3). Freshly Squeezed, (CGP 艺术空间, 伦敦, 2017)
(4). 态度——中德艺术家交流展, (春美术馆,上海, 2017)